art object
英 [ɑːt ˈɒbdʒɪkt]
美 [ɑːrt ˈɑːbdʒekt]
网络 艺术品; 艺术物品; 艺术对象; 艺术物; 一种艺术对象
英英释义
noun
- a work of art of some artistic value
- this store sells only objets d'art
- it is not known who created this piece
双语例句
- From scene modeling, scene representation art and three-dimensional object movement simulation three aspects, the application implement of VR technology in the system is explained, take dissociative water prolapsus implement scene for example.
从场景建模、场景表现艺术性和三维物体运动模拟三个方面，以游离水脱除器场景为例详细说明了VR技术在系统中的应用实现。 - The gardeners combine factors according to the characteristics of natural landscape, with organic irregular appearance and natural layout to make artificial constructs be merged into natural environment and integrate a whole, living art object.
造园家根据自然山水的特征来组合园林要素，以有机不规则形态和错综自然的布局来使人工与自然融为一体，组成有生命、浑然一体的园林艺术品。 - There is a misconception in modem philosophical aesthetical existence which takes art as a split object between objectivity and aesthetical subjectivity.
中国当代哲学美学存在将艺术作为一个客观的与审美主体人分裂的对象来看待的误区。 - As of Ming art and ancient culture and art a good object.
成为研究明代艺术以及古代文化艺术的一个绝佳对象。 - Advertisement art should follow the advertisement object with stress on the inspiration of the ad.
以广告艺术服从广告目标，突出广告的感召力。 - Art becomes the object of popular consuming.
艺术成为大众消费的对象。 - Chooses yellow from the art song is the object of study, I have the following two considerations: On the one hand Mr. Huang Zi to our country modern times music and art song development influence.
选择黄自艺术歌曲为研究对象，我有以下两点考虑：一方面黄自先生对我国近代音乐和艺术歌曲发展的影响。 - There has been the connection between Chinese calligraphy art with furniture in ancient times, this thesis regards Ming furniture and Chinese calligraphy art as the research object, excavate the original reason that Chinese calligraphy art influence on Ming furniture.
中国书法艺术与家具的联系古已有之，本论文是以明式家具和中国书法艺术为研究对象，挖掘中国书法艺术对明式家具影响的背后成因。 - The key point in his discussion of the aesthetic and objective character of Art, also being the basis of his aesthetic theory, is the independent and intrinsic value of art, and that a work of art as an aesthetic object is phenomenally objective.
比厄斯利对艺术审美性和客观性的讨论的关键、也是他的美学体系的根基所在，就是对艺术的独立价值的强调，艺术作品作为审美体验中的感知对象是客观独立的存在。 - This paper takes engineer who represents technology and architect who represents art as the research object, through their ideas of designs and analysis of works to discuss the phenomenon that the schism and corporation between the architect and the engineer.
本文以建筑技术和艺术实施的本体&建筑师和工程师为研究对象，通过对他们的设计理念和作品的分析，来探究在历史上建筑师和工程师分野与合流的这个特殊现象。